| Wednesday, 30 December 2009 | |
By:Rhoda A. Rageh (Farshaxan.com) Hassan H. Abdullahi (Xasan Ganay) is a brilliant bard equal only to Shakespeare in eloquence and natural gift. He is equal only to Milton in his use of oxymoron and surpasses the sensitivity of Wordsworth. His superior intelligence enables him to draw from a vast reservoir of vocabulary, which is why his poetry touches the deepest feelings of humanity. His precise expression does not boast the gift of western education. He does not dwell on his knowledge of Greek and Latin nor draws from genres and conventions of ancient role models; rather he relies only on the basin of God given natural talent. He does not write or read. Therefore, his beautiful expression needs to be preserved for the longevity of the Somali language and cultivation of culture as well as to reserve his rightful place in history. A poet of his kind should not be forgotten. His western counterparts rest on their laurels as poet laureate. The Poet eulogizes a mortal whose service he has hallowed. The name of the poem is Garab Daar. His strong intuition observes and enshrines the intuition of the deceased who he describes as one who had cultivated intuition through fine observation. Intuitive feelings and keen observation are as I divided the poem into stanza and in my own observation will try to point out the turns in the poem. The first stanza captures the Poet's sense of disbelief on the demise of his friend thus still keeps him alive at least in deed.
The Poet's physical absence from the services and wakes of the deceased is juxtaposed with his powerful feelings of loss. While some focus on the mundane rituals mourning the deceased; the Poet withdraws into himself and searches for his own sense of loss. Therefore, his absence is a presence in which he immortalizes the man in the grave. While some dig deep into the earth to hide his corpse, the Poet digs deep into his memory and brings out the immortal soul. The first stanza ends with a refrain by which the poet makes many turns. Memory embraces joyful past with painful present. He recollects the dark days of Siad Barre and their mission together.
Gulufkiyo colaadii Innagiyo gumaystii, The Poet leaves his feeling unattended like the hanging refrain that runs through the poem; hence epitomizes the loss of his friend and the loneliness of his feelings. The deceased national hero was a shield (one of many metaphors to characterize him) in the battle against Siad Barre. Characterization which continue to intensify in the following lines serves both as a tribute to his friend's courage and chides the temerity of his rivals.
Inta kale ka akhri |
Wednesday, December 30, 2009
Hibada Eebbe iyo Abwaan Ganey
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